Considering the effort I put into it, the clip is amazing.
If making movies was easy, beggars would direct.
The clip is out of a pre-release version of UtopAI, on a freebie beta test invitation — and if I were motivated, I could have made better use of the opportunity, or at least different use.
However, what I did was upload Maroli Tango Chapter 1 straight out of the manuscript, plus seven reference images.
This is not what a moviemaker does to prepare for a shoot — not even close.
I spent two-and-a-half hours. Two hundred hours would have been more appropriate.
The outcome is a lot better than anyone should expect.
A wave of Italian emigration to Mexico in the late 1800s had left its mark on the village, particularly at the center. The church and courthouse, on opposite sides of the square, were Spanish. Everything else was Italianate except the band shelter — aluminum poles, sandbags, nylon ripstop roof, circa big-box warehouse store.
The sun descended below mountaintops, throwing shadows into valleys. Streetlamps blinked on. Shops lit signs. The town square came alive with hanging lights and illuminated fountains.
A gypsy jazz band from Hungary filed onstage; guitar, upright bass, clarinet, and a gym-bag percussionist equipped with snare drum, high-hat, washboard, block and cowbell.
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