Earlier this year, I submitted my first-ever attempt at writing a screenplay to a smallish indie filmmaker, arranged through a service provided by Stage32. A producer had issued a call for coming-of-age stories, and my novel Silken Thread kind of fits. In 1960s Manila, an American teenager courts a CIA officer several years his senior. Novel here, screenplay here, if you’re curious.
Spoiler alert — I was not offered a movie deal.
I was told I’d written a novel but not a screenplay. Also …
- The story is missing the exciting parts of the protagonist’s life until the last 20 pages (during which the hero almost dies).
- The narrative structure should adhere to the three-act form.
- The author should pay attention to story beats.
- There’s not enough drama.
- The author should ask the question, “Why would anyone want to watch this?”
- The hero David Aarens is a person who never says ‘no’ to the challenges in his life.
- The document layout does not “look like a professional screenplay” and I should use Final Draft as an authoring tool.
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