The roar of the greasepaint, the smell of the crowd

One thing you can always count on seeing in a Sci-Fi action show is flying objects. Architecture is no exception, and why would it be? The day after anti-gravity is developed, somebody will start building a flying house.

I built my first one in The Illusion of Gravity. According to the story’s hero Rivan Saraf, “The only large shapes Iron Arrow could form in those days were cylinders and spheres. So that’s what you got when you ordered a flying house — a flattened tube fused to a flattened sphere.”

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Blurbled!

A first draft book description for Maroli Tango. Comments welcome.

Sometimes, no matter what’s going on, you have to make it about you.

Earth, 2026 — an alien civilization’s backwater territory; an epicenter of impending catastrophe.  In fifteen years, a solar event will scorch the planet. Coming up after that, an ice age looms. Two million light years away, the Unseen have demonstrated the means to settle a grudge.

United States President Carmen Benequista is tired of dealing with it. Embattled, worn out, she is visited in a dream. Her deceased husband says, “Find someone to share your life while it can still make a difference.”

It’s not a rocket science proposition. Her steady companion, Space Mafia kingpin Brandon Lopez, 15 years her junior, is waiting for a signal.

Meanwhile, first-contact survivor Mason Fowlkes, soon to be 16, is growing up fast as an apprentice Ship’s Mechanic aboard the Anye migration vessel Anuraga. The work life is great; the home life not so much.

French Air Force lieutenant Marie Jourdaine is on the rebound after a brief stint as the world’s youngest female fighter pilot. Things are kind of working out, and kind of not.

Right there in the middle is a legion of consciousness-elevated maroli labor appliances, a product of ancient Anye technology, monstrous in appearance, sweet of disposition, intent on discovering their place in the universe.

It’s been a bumpy ride, fraught with challenges. Maybe it’s time for our heroes to take care of themselves.

Read This First

Here’s the deal — you might want to read The Illusion of Gravity first because it’s the first volume of a series.

Alternatively, you can start with one of the other books and backtrack later to find out what you missed. There’s no penalty.

Literary Science Fiction, focused on story, not just space ships and ray guns. Entertaining. Immersive. Ambitious. Value-positive. Fun. Written for grown-ups. Suitable for young adults. The opposite of dark, smutty, ugly, pessimistic.

Amazon makes it easy to find out if a book is something you want to read. Go to the Kindle listing. Click below the cover art on the ‘Read Sample’ button. Give it a few pages. You’ll know soon enough.

The Illusion of Gravity can be found here. Discover my catalog here. Check out my blog for other essays. Thanks for reading. We need you.

Self-Referencing

Not intentionally. It just happened. Another teaser from Maroli Tango.

Chasm City, Anchor Freehold, Eeka

Chasm City was named for a deep rift in the planet’s mantle, beyond which lay a torn-up wasteland, thought by experts to have suffered a natural calamity in the distant past, dismissing an ancient oral history describing laser bombardment from outer space

A third of the city was built upon an impossibly massive bridge spanning the chasm, promoted by the architect as a platform for an airborne community, someday, when anti-gravity was invented.

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Podcast!

Another teaser from Maroli Tango. Third editing pass. A lot of revision and shuffling around of narrative threads. The writing's getting better, I hope.

Nashville, Tennessee

Conservative pro-wholesome-values commentator Mark Washburn sat at a dining table in what might have been his home.

He said, “There’s a new sheriff in town; a Zirna Zapha NGO that goes by the name of Osadhi, in recent weeks beating up on organized crime in an effort, they say, to choke off the money and muscle that keeps Earth’s most toxic powerbrokers in business.

Our guest pilots the spaceboat Sthiti Osadhi on raids. He describes himself as a bus driver, roadside mechanic, locker room attendant and more recently, publicist. This week, Mason Fowlkes launched a new streaming service, Classic Cosmic TV, delivering vintage content from the planets Vidura and Jivada.”

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Therapied!

So, at around 119,000 words, I realized Mason Fowlkes was a pivotal cast member with a relatable story. Oops. Time to shuffle chapters and fill in backstory. It's therapy, for both of us. Maroli Tango, in progress.

Community Resources was headquartered on Residential Deck 5 (RD-5). Day care. Classrooms. Crafts center. Fitness center. Jump Ball court. Thrift Exchange. Library. Meeting rooms. Etcetera.

There resided the Family Services department, under the direction of the distinguished Anye Samudri elder Brian Lama, no relation to Dalai Lama, although possessing similar bearing and rectitude.

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Space War!

Yet another teaser from Maroli Tango. Enjoy!

The first chapter of a story is always the hardest to finish, even when last words have been written.

Anuraga Media’s first installment of Unseen was burdened by an elephant in the room, a twist if you will, motivation to rush the backstory with documentary footage, the void of space, the glitter of stars, a giant spaceship firing lasers, subtitled communications chatter.

Visceral. Trust the audience to get the idea. Jump right in.

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Bar Fight!

A favorite action scene reprised from the Maroli Tango first draft, later in the narrative as a consequence of re-structuring the book, colorized for your enjoyment. 

Arlington, Virginia

The landing zone was a dumpster farm behind a strip mall, half a block from a franchise bar and grill. Citra, Mason Fowlkes’ 9-meter spaceboat, was parked inconspicuously alongside a semi-trailer with a flat tire.

The sun had been down half an hour. A dusk-to-dawn fixture above a mattress store loading dock was the only ambient light source. Somebody, somewhere, was smoking a cigarette.

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