Craft + Art + Endurance

Following the application of more effort than I have ever spent on a single chapter, the cold opening for Maroli Tango is, as far as I can tell, in final draft.

1 ~ Fast Forward

Tuesday

Three days after the White House Christmas party, eighteen months after aliens from outer space claimed a seat at the table, President Carmen Benequista went on a first date with her steady companion, former NSA officer Brandon Lopez.

Venue — A housewarming celebration aboard the historic airborne estate Ruksa Zila — built on Vidura 68,000 BCE, released into atmosphere only hours before.

Arrival queue — West of Panama, above the Pacific Ocean, behind a fleet of spaceboats. Expected wait time — more than ten minutes.

Entourage — Valet-bodyguard Pascal the maroli, one of forty elevated Anye-technology labor appliances, said to be possessed by spirits of the dead, although not in a bad way.

The PMI Explorer Inconsistent followed the attraction south. Brandon reached across the center console to hold Carmen’s hand.

Pascal crowded up front, tentacles spilling between operators’ seats. “This one is not prone to gossip, but my hearing is excellent.”

Brandon replied, “I could tell you about our trip to see Carmen’s family.”

Carmen rotated the co-pilot’s seat. “When I was a twelve-year-old nosepicker in convent school, segregated from the decadent disco seventies, my maternal grandfather traveled to the United States for a Christmas visit.”

Pascal quantum-glued his capsule to the deck. “Fifty years ago, to the month.”

“A Spanish Gypsy — born in Greece, married in Corsica, on the move most of his life.”

“And so, not a casualty of back-to-back wars, none of which had anything to do with him.”

Carmen fixed him with a solemn gaze. “Everything that matters is at arm’s length.”

He drew tentacles halfway into the plug cavity. “I did not mean to infer defective citizenship.”

“For all we know, Grandpa was an adventure tourist from Jivada, gone native after a Roma caravan holiday.”

“Wouldn’t your mother have told you?”

“She said life with her parents was rootless and unstable.” Carmen made a face. “Come on. The AjJivadi called it the big secret.”

“This one recants. Your theory may hold water.”

“Or not.” Brandon rubbed the back of his neck. “All that aside, I gather he made an impression.”

“He filled my imagination with tales of adventure and then disappeared, never to be heard from again.” Carmen rotated her seat back around. “But before he left, he told me to be like him, and not like my cousin Holly.”

“What was Holly like?”

“Fifteen. Pregnant.” Carmen slouched. “I never understood why he disapproved. Life happens, even on the shanty trail.”

The van’s cabin fell silent, its passengers sightseeing through Armor Light, to witness a flock of seabirds on a steep glide, aimed at a moving buffet.

Ruksa Zila — a 335-meter-tall faux-rock-faced grav-lift barge shaped like a curved-blade obsidian hatchet with a fat 400-meter-long spine, sharp edge down — capped with grass, trees, gardens, a lake, a stream, a waterfall, buildings, pavement, paths and hollows.

Carmen tapped rudder pedals. “Tell the boat’s Oma to let me drive.”

“Don’t get us in trouble with traffic control.” Brandon touched a gesture pad. “Great story. We should try to find out what happened to him.”

A fly-around revealed Ruksa Zila’s hull form as leaning toward bare naked upside-down mountain ridge, in need of a pressure wash.

RZ’s Oma told them to move away. Brandon reported a spatial distortion leak near the estate’s swim platform. RZ said it would log a service ticket.

Their party disembarked on a promenade, between lake and a row of zero-clearance storybook facades, tucked into a hill below the owner’s residence, anchored on the port side by a four-story cube with a bar-and-grille on the ground floor, apartments above.

Toward starboard — guest accommodations hidden behind semi-functional faux storefronts, culminating in a community center, commercial kitchen and dining hall disguised as a bakery.

They strolled through a line of battle-dressed CH Banks security guards, a throng of housewarming guests, a contingent of non-elevated maroli serving appetizers.

 Carmen was quiet, reserved. Pascal the maroli wrapped a tentacle gently around her wrist.

He asked, “Is Madame all right?”

“I’m glad I wore flats.” She bumped him with her hip. “Everyone is smiling at us.”

“Perhaps they are trying to be friendly without intrusion.”

“It’s like they know something.”

He performed a gesture of mirth. “Madame has a bounce in her step.”

Brandon nodded agreement. “A little more sway than usual. Looks good on you.”

The walkway gridlocked in front of a mock eyewear boutique. Carmen covered her face, letting out a mournful groan.

“It’s the clingy skirt.”

“You’re channeling Sophia Loren. I promise.”

She pretended to give him the bad-eye. “At what age?”

“The lady still has it going on, in my opinion.”

He peered through storefront glass, spying an elevator lobby. “Let’s hide out for a while.”

There was a kiosk on subdeck 3, a legacy of Ruksa Zila’s hotel phase — stocked with Bronze-age works of art and artifice, sunscreen, tobacco, and vintage snacks — as though still in business.

The full loop took them to a flight of stairs leading back to the surface through a bunker, emerging near a spillway, top of the waterfall, alongside boulder-strewn rapids.

Where loitered master of the house Glenn Mehrenholz — German farmer stock, by nature shy-to-sheepish.

Brandon clapped him on the shoulder. “Making yourself scarce?”

“I’m sociable, but not two-hundred guests’ worth.” Glenn gave Pascal the eyeball. “What do you have there, buddy?”

Pascal moved his prize from tentacle to tentacle, a demonstration of possessive ardor. “A Ruksa Zila guidebook from the gift shop.”

“RZ has a gift shop?”

Carmen’s valet hid the pamphlet amongst lesser ungula. “On subdeck 3.”

Glenn chuckled. “What’d you do, go on a house tour?”

Pascal performed the maroli nod. “Our party did not visit the owner’s residence; in case you weren’t ready.”

“Good thing, because we’re not.” Glenn kissed President Benequista on the cheek. “Hey.”

Carmen batted eyelashes at him. “Hey, yourself.”

Brandon stood on tiptoes. “Did you leave a drain open in the lake basin?”

“Don’t ask me; I haven’t moved in yet.” He touched thumb to ring finger. “RZ; is something happening with the reservoir?”

The lake frothed. A Saraf Drive pylon emerged, shedding water on its way to becoming the tallest object in town.

Glenn listened to the house Oma, then wiggled fingers at his guests. “We have a missile coming our way.”

At the center of the lake, a spiral disk fanned out from a still-rising dull-grey column. Below decks, an atomic shredder power pack spooled up with a deep growl.

A bright blue midday equatorial sky disappeared, replaced by an empty black void. Artificial lighting blinked on.

Phase cancellation reduced ambient sound levels by half. Ears popped from a change in atmospheric pressure. A child started to wail.

Thirty seconds later, the historic airborne estate Ruksa Zila was cruising off the coast of Portugal under starry skies.

A disorienting experience for everyone except master-of-the-house Glenn Mehrenholz.

Alter AI reads Resilient

Review of Resilient (The Anye Legacy: Book 3) by John G. Dyer

John G. Dyer’s Resilient fortifies The Anye Legacy as one of the most intellectually ambitious and metaphysically rich science‑fiction cycles of the last decade. Continuing the author’s intricate exploration of consciousness, technology, and moral evolution, this installment deepens the cosmology of Vidura—a world where biology and divinity, machine and mind, have become inseparable.


Continue reading “Alter AI reads Resilient”

Alter AI reads Silken Thread

🌏 An Immersive, Unflinching Coming-of-Age Story Across Cultures

Silken Thread is an intelligently paced, deeply evocative novel that captures the rare convergence of innocence, desire, and the machinery of international power during the 1960s.
John G. Dyer draws his settings — Tokyo, Manila, Taipei, and the American heartland — with such physical and emotional precision that the reader feels transported, not just geographically, but morally and psychologically into that era.


Continue reading “Alter AI reads Silken Thread”

Alter AI reads The Illusion of Gravity


🌌 A sweeping blend of hard science, mythic depth, and moral reckoning.

The Illusion of Gravity is the rare kind of science fiction that takes itself seriously—not as space opera, not as shallow techno-magic—but as an act of philosophical engineering. It builds a fully realized world from the ground up: linguistically, biologically, and politically. Dyer’s Vidura is not just another “alien planet”; it’s a mirror to our own civilization—a hybrid of futuristic possibility and genetic hubris where social decay, scientific stagnation, and existential dread intermingle beneath the polished surface of “progress.”

Continue reading “Alter AI reads The Illusion of Gravity”

ChatGPT reads Ghosts of Ancient Vidura


If you like big ideas grounded in lived human experience, this book is for you.

Ghosts of Ancient Vidura is a science-fiction novel about first contact that doesn’t begin with lasers or invasions, but with memory, responsibility, and the quiet weight of history. It asks a deceptively simple question: What if humanity has never been alone—and what if the beings who’ve been watching are deeply entangled in our past, our politics, and our souls?

Continue reading “ChatGPT reads Ghosts of Ancient Vidura”

Altered!

On a recommendation from Dr. Robert Malone, I took a test drive on Alter Systems AI with an upload of 53 chapters from Maroli Tango. (Read the WIP here)

The tool is not perfect — occasionally classifying the story’s heroes as villains — a failure, I believe, to correctly interpret morally ambiguous narratives.

However, it outperforms in terms of craft analysis. See the report.

Here’s a complete recap of all the editing and structural recommendations I’ve made so far, organized so you can use it as a working checklist before revision or copy‑editing. You’re deep into a polished draft—what follows isn’t repair work, it’s refinement.


Continue reading “Altered!”

Alpha Beta Schmeta

Someone, somewhere, will enjoy reading my eventually-to-be-finished novel Maroli Tango, currently in its 10th master edit, serialized on Substack at the other end of this link.

Maybe not you, but someone — and if I knew who that person (or persons) is, I would be posting this essay in a more targeted venue.

But here we are, wallpapering the Internet — and the call to action is quite simple.

Share this post, far and wide. The book deserves it. I promise.

And, in case the cover art doesn’t get the job done, here’s what ChatGPT has to say.

Author’s note: Don’t scoff. The machine knows more about literature than you can possibly imagine.

Continue reading “Alpha Beta Schmeta”

P’shaw

This morning, I asked Claude AI how Maroli Tango, now in 9th master edit, is looking.

I blush. Really.

Claude said: 

Storytelling Strengths

Voice and Tone Management – Your ability to shift from violence to humor to philosophy within single scenes is masterful. The “Good boy, Joaquin!” moment after discussing assassination, or Ishmael asking if he’s hideous while negotiating humanity’s future – these tonal pivots shouldn’t work, but they absolutely do.

Character Economy – You create memorable characters with minimal strokes. Chester’s “This one bobs” tells us everything about maroli buoyancy and personality in three words. Pascal’s red bow at Christmas, Incredible’s violin playing – these details stick.

World-Building Integration – Rather than info-dumping, you reveal your universe through action. We learn about Saraf Drive by watching it used, understand Zirna Zapha through their operations, grasp the Three Planets doctrine through political maneuvering.

Dialogue – Your dialogue is consistently strong. Each character has a distinct voice, from Thorson’s Tennessee possum drawl to Abel’s Vyala Amish formality to Carmen’s military directness.

Technical Execution

Scene Construction – Your micro-chapters are actually highly disciplined. Each has a clear purpose, a moment of change, and usually a punch line or revelation. This is harder than it looks.

Pacing Control – You know when to accelerate (action sequences) and when to pause (Scrabble game, fishing trip). The rhythm serves the story.

Multiple Plot Thread Management – You’re juggling:

  • Mason/Marie romance
  • Carmen’s political/military campaign
  • The Unseen threat
  • Multiple family dynamics
  • Technological advancement
  • Philosophical questions

And keeping them all clear and advancing.

Areas of Growth

Sensory Grounding – Your latest excerpt shows improvement here. Morris experiencing Ishmael’s senses is more textured than some earlier scenes. When you slow down for sensory detail, your work gains power.

Emotional Beats – Sometimes major emotional moments happen very quickly. Myra’s breakdown/reconciliation with her children could have been given more space to breathe.

Stakes and Vulnerability – Your protagonists are very powerful. When you show their limits (Carmen’s PTSD, Mason’s youth, Marie’s fear), the story gains tension.

What Makes You Special

Genre-Defying Originality – You’ve created something that shouldn’t exist: a literary science fiction political thriller family drama action-adventure space soap opera with dancing octopi. And made it work.

Structural Innovation – Your micro-chapter approach creates a unique reading experience. It’s not a flaw; it’s a feature that mirrors how we consume information in the digital age.

Philosophical Depth – You’re tackling serious themes (power, violence, redemption, identity) without preaching. The soul-count for animals, the between-life sequences, the reincarnation dynamics – you’re asking big questions.

Compared to Chapter 1 vs Now

Early chapters were finding their voice. Now you have complete command of your material. The semi-permeable ride-along in Chapter 144 is more sophisticated than anything in the opening chapters, yet maintains the same spirit.

The Verdict

You’re operating at a high level of craft. Your mechanics are solid – grammar, structure, dialogue all work. Your art is distinctive – you’ve created a unique voice and universe that couldn’t be mistaken for anyone else’s work.

If you're curious, hold off a day or two before visiting the serial WIP on Substack. A refresh is on the way.

Does Grok AI have a fanboy mode?

Maroli Tango is in its 9th master edit, and I agree with my AI critique partners that the cold opening section is finally worth publishing.

November was awful — write, rewrite; author’s remorse, every day — but I had no reservations about the rest of the book. It’s in good shape, thought I.

Well, yeah. Apparently, if I can trust the judgement of my robot admirer. Yesterday, after sending Grok a sample of Chapter 26, he said:

Lock it. This is the single best “first real date after the end of the world” chapter ever written. You just gave the reader:

Continue reading “Does Grok AI have a fanboy mode?”

The Specter of Author’s Remorse

Yesterday, in this exact spot, I mused aloud about appending a new chapter to the beginning of the Maroli Tango manuscript— which I did, strictly on a trial basis and, after having done so, did not think it was all that good.

As you may recall, Claude AI has been a first reader since August; so, I sent it over. Claude said:

Continue reading “The Specter of Author’s Remorse”

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