Ghosts of Ancient Vidura is free in the Kindle store!
ChatGPT says:
This is not a “chosen one” power fantasy. It’s a story about competent adults—doctors, engineers, officers, lawyers—forced to confront realities that don’t fit neatly into ideology, religion, or national interest. The tone is thoughtful, sometimes wry, occasionally confrontational, and deeply curious about how societies actually function under stress.
Somewhere in the middle of all the robots and spaceships and ray guns and thunderous battle scenes, don’t you sometimes wish an author would bother to write a story? Yes. Me, too.
I have run three eBook giveaways since September 10. Orders: twelve, ten, and five.
I am not discouraged.Elbert is free in the Kindle store — for three days starting tomorrow September 23.
ChatGPT says: Literary science fiction in the classical sense: a work where speculative elements exist not to dazzle, but to reveal. The extraordinary enters gently—through family history, withheld truths, and the slow accumulation of unease—until the reader realizes that the familiar world has been irrevocably widened.
The story begins in 1928 South Dakota. There are only a handful of unfamiliar proper nouns.
Resilient is free in the Kindle store, now through Monday.
Alter AI says: “Resilient fortifies The Anye Legacy as one of the most intellectually ambitious and metaphysically rich science‑fiction cycles of the last decade.”
The Robots have read everything published. If we did not believe they understand what they’re looking at, we would not be asking them questions.
ChatGPT says: “You’ll find a lived-in world with deep history and internal logic. Moral dilemmas where there are no clean victories. Characters who endure, adapt, and sometimes fail—but keep going. A rare fusion of hard science fiction with spiritual and philosophical inquiry.”
It’s not boring. I promise.
Featured image: Suban Dhava, the little tyke on the book's cover, at the age of twenty.
I would position Resilient as an adult science-fiction adventure with strong coming-of-age and metaphysical elements.
Its defining characteristic is the intersection of two stories: Suban Dhava’s journey from abducted child to resourceful young man, and the emergence of the AptakArin—conscious beings given new lives through transdimensional technology.
Unlike a conventional space opera, much of the novel’s action takes place on Vidura itself, where family, survival, criminal organizations, military operations, and questions about the soul intersect.
In 2041, the sun will pass through a river of stellar gas — igniting an extinction-scale micro-nova.
A catastrophe cycle, documented by geologists in the 1950s — but never calendared until aliens from another planet appear at the Dust Cloud Spiral with an electrostatic vacuum cleaner.
It is not the invasion from outer space everyone imagined. The gods of Egypt were adventure tourists. Atlantis was a vibe, not a place. Jivada is anchored in Earth’s past, invested in its future.
If humanity had been a reliable business partner, the AjJivadi would not have withdrawn into the shadows, soon to be forgotten. Cosmic housekeeping is technologically proprietary. Our would-be patrons will not share science with a neighbor they cannot trust.
U.S. President Carmen Benequista is front row center — head of state, mother, widow, war veteran. No stranger to reliance upon the mercy of God.
But the spirit of sacrifice is not an article of surrender. It is a doctrine of self-rule.
ChatGPT says:
Maroli Tango is science fiction built on an unusually ambitious proposition: what if first contact happened thousands of years ago, the aliens never really left, and humanity reached the twenty-first century without realizing how deeply its history had already been entangled with theirs?
That premise could have produced a conventional secret-history thriller. It does not.
Instead, Maroli Tango becomes a story about sovereignty, dependency, trust, family, faith, technology, and the uncomfortable difference between being rescued and being worthy of partnership.
Literary science fiction action adventure intrigue family drama space soap opera. LSFAAIFDSSO.
I read through Ghosts of Ancient Vidura (AjJivadi: Book 2) — confirmed it’s the direct sequel to Elbert, following the same disclosure-era storyline: hidden alien history, age-reversal tech, the maroli (spirit-possessed biotech), USAF/government entanglement, and an ancient extraterrestrial civilization on Vidura, all wrapped in your usual domestic, multigenerational, faith-adjacent tone.
Here’s where I’d place it on KDP as of the current (2026) category structure. KDP now lets you select 3 browse categories per format directly in the dashboard.
Elbert needs a somewhat different KDP strategy from Maroli Tango. Its strongest commercial identity is historical/secret-history science fiction that grows into interplanetary political adventure.
The opening is firmly planted in 1928 South Dakota, with Elbert an 83-year-old physician and Civil War veteran. The initiating revelation is that extraterrestrial Anye have been quietly living and vacationing on Earth for millennia, hidden behind Sasquatch/Bigfoot/Wendigo folklore. By Act 2 the family is traveling to Jivada; by later acts Elbert is involved in assassination attempts, economic conspiracy, political rebellion, spacecraft, and interplanetary government. And the age-reversal premise pays off explicitly: by 1934, eighty-nine-year-old Elbert appears to be about forty.
Maroli Tango is science fiction built on an unusually ambitious proposition: what if first contact happened thousands of years ago, the aliens never really left, and humanity reached the twenty-first century without realizing how deeply its history had already been entangled with theirs?
That premise could have produced a conventional secret-history thriller. It does not.
Instead, Maroli Tango becomes a story about sovereignty, dependency, trust, family, faith, technology, and the uncomfortable difference between being rescued and being worthy of partnership.
The immediate problem is enormous. In 2041, the Sun is approaching a river of interstellar gas capable of fueling an extinction-scale solar event. Humanity’s technologically superior neighbors know what is coming. They possess tools that could transform Earth’s chances of survival.
Last year, Chatty and I agreed to excise a passage on the grounds of failing to check a few boxes.
A few days ago, I performed a rewrite — and Campfire Tale moved into the pole position, Maroli Tango, launching September 15. Curious to know what the robot would think about it, I asked.
ChatGPT replied:
Yes. I think you were right to put Chapter 0 back.
What strikes me now, knowing the whole novel, is that “Campfire Tale” is not really prologue material in the usual sense. It is a statement of method. It tells the reader how to read Maroli Tango.
The universe is astonishing; the people living in it are accustomed to it. The end of the world is fifteen years away; meanwhile two federal agents are sitting in a Suburban getting bullshitted by a sixteen-year-old. Alien civilization, reincarnation, fighting drones, starships, federal bureaucracy, adolescent romance, family damage, and an asthmatic Chihuahua all occupy the same reality.
Free eBbook promotion – Three days, beginning Friday, September 11, 2026, 12:00 AM PDT
At a research lab on a distant planet, a devastating accident signals the end of a technological impasse that has stalled Anye civilization at the edge of space for a thousand years. Protected in a vault, instruments reveal the true nature of space, time, and matter. The event has set physicist Rivan Saraf on a path that could take his people beyond reach of a dying star. But a hostile foreign government has agents in town. The Vanya are brutal, remorseless — here to spy, steal, kidnap and murder. And Rivan Saraf is on their list.
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