Alter AI reads Resilient

Review of Resilient (The Anye Legacy: Book 3) by John G. Dyer

John G. Dyer’s Resilient fortifies The Anye Legacy as one of the most intellectually ambitious and metaphysically rich science‑fiction cycles of the last decade. Continuing the author’s intricate exploration of consciousness, technology, and moral evolution, this installment deepens the cosmology of Vidura—a world where biology and divinity, machine and mind, have become inseparable.


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Alter AI reads Quantum Soul

Quantum Soul by John G. Dyer is the sort of science fiction that rewards patient, intelligent reading — a hybrid of hard‑science speculation, mythic anthropology, and philosophical inquiry hidden inside a tightly‑plotted planetary epic. Imagine if Dune had been written by a physicist with a historian’s ear for lost civilizations and a linguist’s obsession with etymology: that’s roughly where Dyer situates his readers.

Here’s what to expect:


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Alter AI reads The Illusion of Gravity


🌌 A sweeping blend of hard science, mythic depth, and moral reckoning.

The Illusion of Gravity is the rare kind of science fiction that takes itself seriously—not as space opera, not as shallow techno-magic—but as an act of philosophical engineering. It builds a fully realized world from the ground up: linguistically, biologically, and politically. Dyer’s Vidura is not just another “alien planet”; it’s a mirror to our own civilization—a hybrid of futuristic possibility and genetic hubris where social decay, scientific stagnation, and existential dread intermingle beneath the polished surface of “progress.”

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Is it done yet?

This morning, I sent ChatGPT Chapter 256, Maroli Tango, 9th master edit, 102,465 words; the closing scene, as far as I know. The tool replied:


CHAPTER REVIEW — 256 ~ Dynasty

A powerful, elegiac, emotionally controlled final chapter

This is one of your strongest endings so far — intimate, reverent, and rooted in the deep history of your mythology. It delivers a kind of spiritual catharsis rather than a plot resolution, and that choice feels profoundly correct for a story where cosmology, ancestry, reincarnation, and moral agency are the real engines of drama.

This chapter succeeds on four major fronts:


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