Shameless expeditionism

So, some of you might have read the previous post, in which the author was indiscreet. No worries; I came to my senses and …

Wait! No, I didn’t, because I promised to reveal what I did about my writing dilemma. I brought the inciting event forward to the first chapter, along with essential preliminaries, and I think that’s going to work. See if you agree.

Continue reading “Shameless expeditionism”

What comes before ‘beta reader’? That’s what I need.

Those who’ve been reading these posts possibly know I have a SciFi novel in progress, about a country doctor in 1928 South Dakota who, among other things, meets a furry lady from another planet. You may also know that Amazon’s entry into the episodic fiction delivery business, Kindle Vella, is about to debut. Think ‘Radish’, with mega market penetration, or at least that’s what we’re given to believe.

Elbert, at 94,000 words, the ending yet to be written, might be good candidate to throw into the melee IF I can edit the first few chapters into ‘That’s right, folks … don’t touch that dial’ territory. I’m not worried about the rest of the book … there’s plenty of stuff going on after the first 30 pages, but I’m now on the 4th rewrite of the opening sonata and it’s getting hard for me to tell how I’m doing with it.

So, I show my wife version #3, and she says, “You need pirates swinging cutlasses” and I say, “It’s not that kind of story”, but I agree the book deserves something better than what I’ve written so far.

Yesterday, my brother said I need to smack the reader in the face with the core concept, right out of the gate, and I said, “That calls for a data dump, a cardinal sin that will get my tail roasted in author circles.”

But I’m going to try it anyway, on you. Call to action here – after reading Chapter 1, will you spend the tokens to get a look at Chapter 2? I would be grateful if, having taken the time to read these words, you’ll invest a little more to leave a comment. Here we go …

Continue reading “What comes before ‘beta reader’? That’s what I need.”

My homework assignment

I attended a Bryan Cohen webinar last night, on the topic of how to write book descriptions, wherein I was told that the blurb should consist of three parts, to paraphrase …

  • A telling of the protagonist’s emotional journey before the inciting event.
  • A description of bad things that could happen.
  • A closing sentence that lures prospective customers into pushing the ‘buy’ button.

In less than 150 words.

It was worth the hour-and-a-half, and not to steal from good ‘ol Bryan, but he also said one should make sure that cover, title and description are consistent with genre, so the audience can tell at a glance if the book fits with their reading habits.

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Blurbed … again

Elbert is currently in first edit at 94,000 words. How's the blurb looking?

In 1928 South Dakota, a furry citizen of another planet enlists the aid of a human physician to ensure her soon-to-be-born son will someday be able to claim American citizenship. For Doctor Elbert Holland Harrison, the event sheds light on the real story behind legendary Gods, a family he didn’t know he had, a cure for old age, an opportunity for a new life.

But the Great Depression looms on the horizon, with the Dust Bowl catastrophe close on its heels — a one-two punch threatening an alien commerce empire that feeds two-thirds of Jivada’s population, its collapse potentially leading to an invasion of Earth.

And Elbert is about to find himself in the middle of it.

Disclosure

Another teaser from Elbert, in which the lady meets a fellow with large teeth. The featured image is a second pass at the cover illustration by Paul Trif at Twin Art Design.

South Dakota, 1928

The rented aircar arrived early, giving time for the three of them to dawdle while hashing out a plan. Doctor Falun ran out to the island off Mexico where his fellow space yacht owners tended to congregate, but nobody was there. It took two minutes to go the distance, which Elbert found astonishing. “But it’s not faster than light?”

Falun shook his head. “In theory, the vessel stands still for an instant and the universe moves around it.” He returned Elbert’s gaze without blinking. “I’m not kidding; that’s what they think.”

Tom got his pants wet walking in the surf. Everyone tracked sand into the car. Falun produced a hip flask of single-malt scotch; Elbert took a capful before realizing Charlotte might think he was drunk, then had another because it was too late to take it back.

Continue reading “Disclosure”

I gave away 54 eBook copies of Resilient

And it’s as though I’m holding 54 lottery tickets, each with a non-specific settlement date. Will anyone read the book? Will there be reviews? What will they say?

To make matters worse, I read a couple of chapters after submitting the promotion. It’s been 3 years since publication, and damned if I shouldn’t have put the inciting event closer to the first chapter. Not that I’m embarrassed; I’m still proud of what I did.

Until this week, Resilient had reached maybe 6 readers. Now, I guess, we’re going to find out about market acceptance. Did you order the book? Have you started reading yet? Comments invited!

The Art of Not Explaining Art — John Dyer Writes

In a video essay entitled The Nightmare Artist, YouTube creator In Praise of Shadows tells us about Zdzislaw Beksinski, an artist who emerged from the horrors of WWII Poland to produce a collection of stark, gloomy paintings. Beksinski never titled his works nor would he consent to explain himself except to say things like, “Meaning is meaningless to me” and “Interpretation is imposed by others”. Of course, that didn’t stop critics from saying what he was about, but I think he was smart to be silent. Certainly, if he’d said — about any one thing he did — “This is how I felt when the Jews were taken away”, then everything he produced would have been defined by the statement.

Continue reading “The Art of Not Explaining Art — John Dyer Writes”

Ghana, 1929

Another teaser from my WIP novel Elbert. 

January, 1929. Broken Claw enforcer Stefan Tot takes our heroine Charlotte Banks along on a delivery run.

Nasia Basin, Ghana

The 5,000-kilometer flight into northern Ghana took all of five minutes, after which the shuttle dallied above the landing zone while Stefan and his men debated what to do about three locals squatting next to their truck.

Charlotte listened to the discussion with one ear, attention focused on the feed from a Raksa drone sent down to spy on the interlopers. Stefan chose his words carefully — mindful, she thought, of the pilot’s sensibilities. “They’re up to no good, but I don’t want to shoot them over something like this.”

She smiled to herself. You would, if it was just us. “What do we have to trade?”

Continue reading “Ghana, 1929”

How to buy a flying motorhome on Jivada

Another work-in-process teaser, this one from Elbert, the first book in the Anye Constituency series. Illustration by Khoi Anh

Badari

The seller was a goat farmer, living on the rocky north coast not far from the SagGha temple where Guru Orsa disembarked the day they met him. He was Mahat Limar, talkative, apparently richer than King Midas, having a leasehold spanning a huge tract of land dotted with feed stalls and animal shelters.

The travel coach was kept in a barn, a space dedicated more to veterinary science than goat hospitality, but there was community on hand. Charlotte would have taken one home if she had a place to keep it. “This female is adorable!” Continue reading “How to buy a flying motorhome on Jivada”

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