117 ~ Breakthrough

Another excerpt from the Maroli Tango WIP serialization on Substack

Glenn Mehrenholz stood at the center of his augmented reality playground on Ghost Town deck, flying a covey of drones through Iron Arrow Vidura’s scrap orbit.

Illuminated by harsh sunlight, material floated in vacuum as if collected by a magnetic crane from the shredder bin at a celestial automotive junkyard — irregular clusters, one side flat, the other spiky, set adrift to assemble into razor-sharp, deeply textured, strobe-light-decorated navigation hazards the size of battleships.

Glenn told his wife, “I don’t know what I thought I’d find, but it wasn’t this.”

Arya touched an icon on a virtual console, adding a map layer to the scene. “Iron Arrow’s survey says we’re in the recycling mill input zone.”

“I’m looking for QA rejected plate.” Glenn pushed the scene away, moving viewer perspective outside the range of the drones’ cameras. Scene resolution deprecated. Map annotation remained in-focus, leading them to another site.

Glenn groaned. “Asteroids. Unprocessed.”

“You won’t be welding those into a sphere.” She took a moment to appreciate where she was. “Look! There’s Vidura!”

“And all three moons.” He listened to his phone’s Oma. “Do you want to accept a teleconference request from Ted Clarke?”

A minute later, Colonel Theodore Clarke appeared in the scene. He said, “We might have picked up a stalker.”

Arya replied, “Tell him to stand in line.”

“Ha ha.” Clarke walked into the sim. “One of PR’s directors didn’t like being let go. She gave Vik Abhianta an earful, making noises like a Vidura United activist.”

Glenn shook his head. “Never heard of them.”

“Communists, atheists, militant vegetarians.”

Arya said, “I thought Vidura was supposed to be a land of wholesome common sense.”

“Every culture has defective citizens.” Clarke looked around. “What are you up to here?”

Glenn said, “Trying to figure out how to test a missile defense exploit.”

“What’s the issue?”

“The device creates an N-Space disturbance. What it will do, we think, is impose a Saraf-Drive no-fly zone. What it might do is tell our enemies where we are, interfere with ansible communications and maybe even cause our souls to disconnect from our bodies.”

Clarke gave him the weird eye. “You mean like, bring on the Rapture?”

“We’ll test it on livestock.”

“Cows have souls?”

“Yes.”

“Fish?”

“Depends on which fish. An organism needs a neuron count above three hundred million to get a soul. Sharks have souls, but most cold-blooded animals do not.”

“Dogs have souls?”

“Yep, and there’s no way I’m going to send a dog.” Glenn scratched his chin. “I’m thinking we’ll do it after we figure out how Saraf Drive works.”

“Will that be soon, or …”

Glenn shrugged, “My feeling is soon. Could be wrong.”

Arya asked, “Did you really break legs at the Pentagon?”

Clarke nodded. “My guys flashed a couple of Saraf Drive vans directly into a hallway, kicked open a conference room door, and thrashed the bejesus out of a bunch of Navy pussies.”

“Holy smokes!”

“If you want to see big talkers turn into crybabies, I’ll send you the video.”

Glenn touched his ear. “Are we running an ad?”

They were shortly joined by Glenn’s collaborator at Parsanda Research on Vidura. The man asked, “Is this a bad time?”

Arya waved. Colonel Clarke waved. Glenn said, “Nah. We’re just standing around in augmented reality, which makes it a good time. What do you have?”

A magic clearboard appeared in the scene. Glenn stared half-baffled at lines of cursive notation. “You know I can’t read the modern script, right?”

“I did the calcs the hard way, then I asked your secret science modeler to posit five permutations of time using observations from all experiments, including your fast time demo, and find a solution for loopback.”

Glenn groaned. “Oh, no. Don’t tell me it was that easy.”

“Oh, yes. Negative curvature of space-time, sitting right behind the volume in a tesseract. We could have had high-performance Saraf Drive all along.”

Glenn closed his eyes. “That means the Unseen might have it.”

Read the serial novel here.

Covering the story

Mom was the artist of the family. Philippines, 1967. Norma Jean Roberts Dyer Razovsky posing at her easel, mid-blink, in the company of Alan Maury Razovsky (Dad) and little Johnny Dyer (me).

We can’t tell what she was working on due to harsh lighting, but it had to be amazing because Mom was good at it. However, in the acorn-tree department, yours truly once drew a circuit diagram on posterboard for a science fair project (1963), and to this day, that is the extent of what I can do with a drawing instrument.

I am, however, an advanced novice on Adobe Photoshop — and what a great tool that is, especially when reinforced with a dollop of AI software IP theft facilitator, or whatever the kids are calling it these days.

Turn away in disgust if you must, but that’s how I did this.

Now that you’ve noticed creepy fingers on the right hand, you can’t look at anything else, can you? AI is notorious for glitches — Mason’s neck is too long, the lighting is off, color balance is iffy, and it looks like a paste-up job, which it is.

Never mind. This is just a placeholder for the actual cover, which will be developed by an artist, unless I attend a seance during which Mom teaches me how to paint.

In the meantime, this illustration will get me through the pre-release phase, during which authors traditionally leak WIP chapter excerpts into the ether, a tried-and-true means of inciting readers into an anticipatory frenzy — such as you might be experiencing right now.

May I suggest you visit my catalog to satisfy your cravings until publishing date. July perhaps, unless I perform another massive rewrite, which is not out of the question.

So, answer me this: Does my first mockup cover elicit comparison to Japanese tentacle erotica?

I completely forgot such things existed; and by the way, I have discovered services that animate illustrations for free, and worth every penny of it.

Maroli Tango cast members posing for a promo. You can’t get a maroli to stay still.

Mason Fowlkes out of costume. Mind you, I have no idea how this happened. Might have been something I said.

Did I mention you should buy my books? Also, are you an artist? Are you aghast at my brazen use of AI? Do you know how to paint hands? Tell us in the comments.

Pop Culture Archeology

The Rikki in question was author Rikki Ducornet, born Erica DeGre, 1943. She was an acquaintance, perhaps, of Donald Fagen during his stint at Bard College in the late 1960s. Not sure about whether she actually knew him or not. She owned up to the reference in a 1998 interview, but I found out what I wanted to know from the synopsis, so there you have it.

At least I don’t have to use the word ‘allegedly’.

So, the lady is 5 years older than the musician. That’s all I can tell you. Look it up if you’re curiouser than I.

Anyway, I investigated these facts after watching the Low Darts perform a cover of ‘My Old School’ on YouTube. They’re great. You should check them out.

Continue reading “Pop Culture Archeology”

The Huntsman

With 14 guitars and 6 amps competing for space in the man-cave, my appetite for gear should have been satiated by now; but then, at a church rummage sale, I stumbled across a Galaxy Audio Hotspot PA III for $10, and what am I supposed to do – leave it there?

Yes, it works. In fact, it fills a needed category, that of a guitar amp I can leave at the winter house without worrying about whether we’ll skip a year, and discover later the landlord got rid of it.

Same for this guy, a 400 watt Infinity subwoofer, also $10, that turned the yard-sale media system I set up at that same winter home into a real thumper.

IMG_20200229_114406

Of course, it takes a willingness to waste one’s time navigating through a sea of baby clothes to discover such things, and, at my age, one needs to be cautious about accumulating objects, lest there be no room left to walk through the house. That said, finds like these evoke a primitive spirit, that of the hunter who just brought down a mastodon, and now the entire village will feast – or, in this case, dance to club music, until the neighbors call.

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