Gothic Space Opera

1928. Flying from Jivada to Earth. See the featured image to learn what the spaceship looks like.

Loyal House — In transit

Elbert raised the shutter on a window next to the front door, peering across a floodlit lawn into the infinite void of N-Space — shapeless, featureless, blacker than night, held off at the fence line by Saraf Drive emitter arrays, arching over the house like a sea monster’s ribcage, pylons engulfed in swirling webs of blue fire.

The house Oma recited a passage from the owner’s guide. “Depending on the intensity of exterior illumination, passengers may witness, at the envelope boundary, an effect of near-field spatial distortion acting upon available light, compressing wavelengths toward the violet end of the spectrum.”

Roman said, “In other words, the pylons aren’t shielded.”

“I’m sure it’s dangerous to get near them.” Elbert lowered his voice. “But how far away is far enough?”

“Are you thinking about going out there?”

“We’re not leaking atmosphere.” Elbert put his chin against Armor Glaze, craning his neck. “It’s quite a spectacle.”

They went four steps down from the top of the front stoop, just enough to look past the overhang. The air was dead still, the grounds deafeningly silent, every feature outlined in sharp contrast, individual blades of grass throwing deep shadows into turf.

Francine stepped across the threshold; voice dampened by ambient phase cancellation. “What’s it like.”

“Spooky as hell.” He nudged Elbert. “You’re a brave man, Doc.”

“For about a minute, anyway.” Elbert took his elbow. “Let’s go back in.”

Readier to Read!

Elbert — Act 1: Earth’s Secret History (Second Edition) is live on Kindle Vella!

In 1928 South Dakota, a rural physician learns about life on other planets, and a bounty of opportunities available to those who know. Eighty-three years old, Doctor Elbert Holland Harrison thought he was waiting to die. Now he’s waiting to live.

Elbert is a story about relationships, self-discovery, and the necessity of facing the future with courage and compassion.

On the advice of editor Jon Oliver, I added a new first chapter. Potential confusion about a variety of Anye Universe concepts has been mitigated.

The complete novel is in edit at 94,000 words. I expect to publish before year end, but you can read Act 1 on Kindle Vella for free, simply by signing up for the service and accepting a starter kit of 200 tokens.

You don’t have to be a fan of SciFi — I’m doing something out-of-the-ordinary, and this book in particular should be satisfying for readers of every genre.

I’ll be grateful if you give it a try, and doubly so if you leave a review.

Edited unto morbidity

When I posted this essay a few days ago, I thought I was done editing this chapter — that I’d be showing off what came of it and move on. Today, on December 20, 2021, after thirty-plus revisions over four different approaches, the headline is more appropriate than anticipated.

An engagement with editor Jon Oliver had produced the assessment that my novel-in-progress is in good shape, although not quite suitable as an entry point for new readers of Anye Universe material. The work needed, he said, a prologue.

Author/Editor Joan Dempsey advises against backstory-laden first chapters, but I thought to give it a try. Six-thousand-plus words and five different approaches later, I think Joan’s recommendation is the one I’ll go with. It was not a waste of time — usable material was developed, but it won’t go into a prologue.

For those interested in process, here’s the second-to-last draft. The last one contains text I’ll fold into the book.

Have you ever struggled with a first chapter? Tell me about it in the comments.
Continue reading “Edited unto morbidity”

Double-Played

What author hasn’t imagined seeing his novel played out on the big screen? I certainly did, and if you’ve been following this blog you know I took at stab at writing a film adaptation of my novel Silken Thread.

I paid a fee for script coverage, during which I learned it’s harder than it looks. And then, lesson in hand, I took another crack at it, which you can see on the Script Revolution website by the artful use of your mouse pointer (slightly left, please).

I’m done trying that – but what the heck, might as well put it out there. To say I’m satisfied with the second draft is a stretch, but it was an enlightening story structure exercise. To wit – it made me focus on the elements of storytelling and the value of the three-act form.

But I find that screenwriting is a) heavier on craft than expression and, b) focused on selling an idea to other artists, after which art may or may not be forthcoming. I might persist if I was looking for a job, which I’m not.

All that said, the effort might conceivably influence my approach during the editing process.

Are you a novelist? How much effort do you put into concepts like ‘beats’ and story models when you’re writing?

Screenplayed

I just finished a screen adaptation of my novel Silken Thread. 20,561 words, 118 pages.

Logline – In 1967 Manila, a Chinese-speaking Dutch-American teenager courts a CIA officer ten years his senior.

Here’s another sample.

The morning after.

23. INT. AARENS RESIDENCE FORBES PARK

The next morning. David sets a two-suit travel bag by the front door; he’s apprehended by Mrs. Li.

MRS. LI

Hushed voice; speaks <Mandarin>.

<Where you going so early?>

DAVID

<I’m meeting someone before work. Are my parents up?>

MRS. LI

She pinches him on the ear.

<There’s a girl, and don’t tell me there isn’t.>

DAVID

Clasps her hand in both of his.

<Maybe she lost interest already. I have to find out.>

MRS. LI

<Da Wei; she will break your heart, and so will the people who give you this job. Just like in China; this is how you have a refugee living in your house.>

DAVID

<Ma Li; their broken promises gave me you.>

MRS. LI

<Oh, you going that way, are you? You better not forget who raise you when I get too old to take care of myself.>

Kisses David on the cheek.

<Make sure she love you, then bring around to meet me.>

Elbert is LIVE on Kindle Vella

The first 3 chapters are free! Act 1 is complete and edited. I'm sitting on the edge of my seat waiting for readers, so jump on out there!

In 1928 South Dakota, a retired country physician is made privy to Earth’s secret history and much, much more. There’s life on other planets, a family he didn’t know about, he’s getting younger, not older. Eighty-three years old, made stoic in attendance to the suffering of others, Doctor Elbert Holland Harrison thought he was waiting to die.

Now he’s waiting to live.

Elbert is a story about relationships, self-discovery, and the necessity of facing the future with courage and compassion.

Captain Hook, or not?

I’m still considering the option of advance publishing Elbert on Kindle Vella. Now, after four editing passes over part one, the master arc is firmly defined, so it’s not much of a risk delivery-wise … but, the question arises as to whether it’s good enough that I won’t be embarrassed for having done it. Also, I can’t tell if I have a hook in the opening act.

What say ye – would you spend another 8 cents to read the second chapter?

Part 1 – Chapter 1

August 16, 1928 — The Lazy L Ranch, South Dakota

“Well, ain’t you a furry bunch of critters.” The trail guide, a human citizen of Jivada, shook hands all around, the picture-perfect American cowboy in chaps and Colt Peacemaker — expert at rounding up Anye tourists or whatever. “Now, in these parts, the natives might call you Sasquatch, Bigfoot or Wendigo — ‘cause they’ve seen you plenty, but don’t know what you are.”

Watching from the front porch of the lodge, nursing her first cup of coffee, Francine anticipated the punchline. And they’re not going to find out today, are they?

Continue reading “Captain Hook, or not?”

Shameless expeditionism

So, some of you might have read the previous post, in which the author was indiscreet. No worries; I came to my senses and …

Wait! No, I didn’t, because I promised to reveal what I did about my writing dilemma. I brought the inciting event forward to the first chapter, along with essential preliminaries, and I think that’s going to work. See if you agree.

Continue reading “Shameless expeditionism”

What comes before ‘beta reader’? That’s what I need.

Those who’ve been reading these posts possibly know I have a SciFi novel in progress, about a country doctor in 1928 South Dakota who, among other things, meets a furry lady from another planet. You may also know that Amazon’s entry into the episodic fiction delivery business, Kindle Vella, is about to debut. Think ‘Radish’, with mega market penetration, or at least that’s what we’re given to believe.

Elbert, at 94,000 words, the ending yet to be written, might be good candidate to throw into the melee IF I can edit the first few chapters into ‘That’s right, folks … don’t touch that dial’ territory. I’m not worried about the rest of the book … there’s plenty of stuff going on after the first 30 pages, but I’m now on the 4th rewrite of the opening sonata and it’s getting hard for me to tell how I’m doing with it.

So, I show my wife version #3, and she says, “You need pirates swinging cutlasses” and I say, “It’s not that kind of story”, but I agree the book deserves something better than what I’ve written so far.

Yesterday, my brother said I need to smack the reader in the face with the core concept, right out of the gate, and I said, “That calls for a data dump, a cardinal sin that will get my tail roasted in author circles.”

But I’m going to try it anyway, on you. Call to action here – after reading Chapter 1, will you spend the tokens to get a look at Chapter 2? I would be grateful if, having taken the time to read these words, you’ll invest a little more to leave a comment. Here we go …

Continue reading “What comes before ‘beta reader’? That’s what I need.”

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