Double-Played

What author hasn’t imagined seeing his novel played out on the big screen? I certainly did, and if you’ve been following this blog you know I took at stab at writing a film adaptation of my novel Silken Thread.

I paid a fee for script coverage, during which I learned it’s harder than it looks. And then, lesson in hand, I took another crack at it, which you can see on the Script Revolution website by the artful use of your mouse pointer (slightly left, please).

I’m done trying that – but what the heck, might as well put it out there. To say I’m satisfied with the second draft is a stretch, but it was an enlightening story structure exercise. To wit – it made me focus on the elements of storytelling and the value of the three-act form.

But I find that screenwriting is a) heavier on craft than expression and, b) focused on selling an idea to other artists, after which art may or may not be forthcoming. I might persist if I was looking for a job, which I’m not.

All that said, the effort might conceivably influence my approach during the editing process.

Are you a novelist? How much effort do you put into concepts like ‘beats’ and story models when you’re writing?