Publish the work to an elite audience for feedback.
I am about ten hours in on this project, not counting a year’s worth of collaboration with ChatGPT — a deep well without which I could not have made this.
Chatty knows the book so well, all I had to do was select illustrations. The storyboard is AI, all the way.
Storyboard v1 — 3:07, vertical 9:16
The timestamps are editorial targets, not frame-accurate musical cuts yet. In Resolve, I would slide the cuts a few frames either way to land on drums, keyboard accents, and phrase changes.
| Time | Source file | Treatment in 9:16 | Purpose |
|---|---|---|---|
| 0:00–0:04 | Seedance 2.mp4 | Full motion; center waterfall and underside of island | Immediate WTF hook. Don’t begin like an advertisement. |
| 0:04–0:08 | 7a.png | Slow push toward Anye + Maroli + young man | Establish what kind of universe this is |
| 0:08–0:12 | 2a(3).png | Push from joined hands toward Carmen/Brandon faces | First romantic statement |
| 0:12–0:16 | Floating_island_mansion_drifts_o…_202608301805.mp4 | Motion; crop around estate | Wonder / scale |
| 0:16–0:20 | 17(2).png | Pan left-to-right: RZ craft → Carmen/Brandon | Romance embedded in SF |
| 0:20–0:24 | 9(6).png | Push toward young couple; let “Gravity is ON” remain visible initially | Playfulness |
| 0:24–0:28 | kling_20260301_Image_to_Video_The_furry__5394_0.mp4 | Use strongest 4 sec | Alien/human affection; charmingly strange |
| 0:28–0:31 | 106.png | Fast push toward girl’s expression/dog | Comic beat |
| 0:31–0:35 | 20(2).png | Pan aircraft ramp → arrivals → alien greeter | Family/worldbuilding |
| 0:35–0:39 | f8614edd40c5.mp4 around 33.7–37.7 | Use walking exterior material | First substantial live-motion lift |
| 0:39–0:44 | 46(3).png | Pan young couple → Carmen/Brandon | Generational match: two romances, one world |
| 0:44–0:49 | 120.png | Slow push toward ring and faces | Romantic escalation |
| 0:49–0:53 | 140(20260830-020614).png | Start slightly wider; push into kiss | First payoff |
| 0:53–0:57 | 60(2).png | Gentle upward push from hand/tie to faces | Domestic intimacy |
| 0:57–1:01 | 57(3).png | Very slow vertical drift; estate centered | Reset to spectacle |
| 1:01–1:05 | Minimax 1.mp4 | Motion aerial; crop waterfall/estate | World opens again |
| 1:05–1:09 | Minimax 3.mp4 | Cave-water motion | Cool visual change of register |
| 1:09–1:13 | 65(1).png | Pan men → Maroli across pool | Whimsy / friendship |
| 1:13–1:17 | 48(2).png | Pan human conversation → Maroli | Strange domestic normality |
| 1:17–1:21 | f8614edd40c5.mp4 around 15.0–17.7 | Maroli close material | Give the title creature some screen time |
| 1:21–1:25 | 190c.png | Start on enormous island; drift toward people/dogs | Scale becomes ordinary life |
| 1:25–1:29 | kling_20260627_Image_to_Video_Female_act_2702_0.mp4 | Best 4 sec of beach action | Replace stillness with real subject motion |
| 1:29–1:32 | 49.jpg | Quick push; retain fishermen atop craft | Absurd/fun SF punctuation |
| 1:32–1:36 | 180.png | Center dog, pan between alien couple | Road-movie energy |
| 1:36–1:40 | 185(20260830-020617).png | Slow push toward couple + dog | Warm landing before tonal shift |
| 1:40–1:44 | 63(1).png | Push Carmen → reframe toward micro-nova display | The stakes arrive. |
| 1:44–1:48 | 36.png | Push through pilot toward tactical screens | Competence / action |
| 1:48–1:52 | 10(2).png | Pan couple → black vehicle | Technology enters the foreground |
| 1:52–1:56 | f8614edd40c5.mp4 around 0–4.7 | Flying vehicle material | Actual propulsion |
| 1:56–2:00 | 13.png | Slow push toward night ship beneath Milky Way | Brief majestic pause |
| 2:00–2:05 | Ruksa Zila Flythrough.mp4 around 0–5 | Island approach | Begin the big-world run |
| 2:05–2:10 | Ruksa Zila Flythrough.mp4 around 8–13 | Waterfall / geological detail | Continue movement, change scale |
| 2:10–2:15 | Ruksa Zila Flythrough.mp4 around 27–32 | Pool/grotto area | People inside the impossible environment |
| 2:15–2:20 | Ruksa Zila Flythrough.mp4 around 33–38 | Night promenade | Move toward romance again |
| 2:20–2:24 | 61a(20260830-022311).jpg | Push on older woman adjusting young man’s tie; keep military woman in frame | Family / blessing / continuity |
| 2:24–2:28 | 172.png | Very restrained push | Older-generation affection |
| 2:28–2:32 | 28(3).png | Gentle push on couple at dinner | Ordinary happiness |
| 2:32–2:36 | 3(3).png | Vertical crop containing all three if possible; slight push | Social charm / alien normalization |
| 2:36–2:40 | 2a(3).png | Return to Christmas dance, tighter crop than first use | Visual refrain |
| 2:40–2:44 | 66.png | Slow push; almost no movement needed | Carmen/Brandon payoff |
| 2:44–2:48 | 46(3).png | Reverse-direction pan from Carmen/Brandon → young couple | Complete the generational match |
| 2:48–2:52 | 20(2).png | Different crop: dog/child/family rather than arrival | Life beyond the romances |
| 2:52–2:56 | Floating_island_mansion_drifts_o…_202608301805.mp4 | Different section/crop from first use | Final spectacle build |
| 2:56–3:00 | 8(4).png or Minimax 1.mp4 | Grand centered island, slow pull back | The whole impossible world |
| 3:00–3:07 | Hailuo_Video_443955602984333320.mp4 or 384212807443660804.mp4 | Portrait source fits 9:16 naturally; freeze last clean frame if necessary | Book/brand end card |
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